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The Team

Marcus Thomas
Managing Partner

Born in Fort Worth, Texas, Marcus Thomas began work in construction and home remodeling at age 17. At age 22, after a successful start in Rhode Island, Mr. Thomas founded Marcus Homes, a residential construction and home-restoration company.

In 1993, he moved Marcus Homes to Pasadena, California. After completing his first remodeling project, Mr. Thomas chose to switch industries and work for a non-union movie company building sets for television and music videos.

With his previous building expertise and his solid experience managing large crews, Mr. Thomas was able to quickly build a solid reputation for fast, high-quality workmanship, a reputation that led him into a foreman’s role on various sets.

Mr. Thomas obtained his Local 44 union card two years later and began working on small feature movies and TV pilots, including The Pretender, Profiler, X-Files, Love Boat, Beverly Hills 90210, Marshall Law and the Tracy Ullman Show. It was on these projects that Mr. Thomas learned all aspects of building for productions -- from conceptual design to finished sets.

Two more years later, Mr. Thomas was working with two of the film industry’s most prominent construction coordinators: Terry Scott and Marvin Salzburg. It was this experience, combined with his previous record of accomplishments, that led him to serve as one of the lead carpenters on the set of Ron Howard’s blockbuster The Grinch -- known in the industry as one of the most-challenging sets ever constructed in Hollywood.

After the Grinch, Mr. Thomas worked on many other projects, most notably the original CSI. He later returned to his home state of Rhode Island, where he would decidedly stay.

Mr. Thomas began seeking opportunities to do what he loved in his home state. With his mother’s full support, he sought the advice and aid of lifelong friend and Rhode Island businessman, Greg Gormley. The two began laying the groundwork for a full-service motion-picture company capable of attracting and servicing Hollywood-scale productions to the Ocean State, a company that would later be called KAY Studios.

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